Author: cwiggan

  • Rita Marley Gives Green Light For Marley Movie

    Rita Marley Gives Green Light For Marley Movie

    Bob Marley’s widow, Rita Marley, has inked a deal with film producers The Weinstein Co. to develop, produce and distribute the first ever biopic on the Reggae icon. The film will be based on Rita’s 2004 autobiography, No Woman No Cry: My Life With Bob Marley, and screenwriter Lizzie Borden has been hired to pen the film adaptation. Rita Marley is serving as the movie’s executive producer.

    bob marley

    Bob Marley‘s widow, Rita Marley, has inked a deal with film producers The Weinstein Co.
    to develop, produce and distribute the first ever biopic on the Reggae
    icon. The film will be based on Rita’s 2004 autobiography, No Woman No Cry: My Life With Bob Marley, and screenwriter Lizzie Borden has been hired to pen the film adaptation. Rita Marley is serving as the movie’s executive producer.

    While no casting decisions have been made, Rita has already nominated Lauryn Hill to portray her. Hill is married to Bob Marley’s son from another relationship, Rohan. "Lauryn would be ideal," said Marley. "She sees my life as her life." She also said that her grandson Stefan is "the spitting image" of Bob and would be perfect to play the role.

    Meanwhile, the Hollywood Reporter
    says that the musician will be played by two actors, one portraying him
    at age 15 and another as an adult. The option of Marley’s original
    songs, covers sung by an actor or a Ray-style blend of the two are all possible for the soundtrack.

    The
    untitled project is tentatively set to begin filming early next year
    with a projected release date of late 2009. If that is the case, it
    will arrive before Martin Scorsese‘s documentary on the performer, which is set for release on what would be Marley’s 65th birthday: February 6, 2010.

  • RCMP Raid Shuts Down Massive Alleged Music Counterfeiting Operation in Winnipeg

    TORONTO, March 6 /CNW/ – Following a year-long investigation by the
    Canadian Recording Industry Association (CRIA), the RCMP has shut down
    Audiomaxxx.com Ltd., a major alleged music counterfeiting operation in
    Winnipeg, and filed criminal charges against four individuals.

    Police file criminal charges against four people and seize more than
    200,000 music CDs and DVDs

    TORONTO, March 6 /CNW/ – Following a year-long investigation by the
    Canadian Recording Industry Association (CRIA), the RCMP has shut down
    Audiomaxxx.com Ltd., a major alleged music counterfeiting operation in
    Winnipeg, and filed criminal charges against four individuals.

    Raj Singh Ramgotra, the principal behind Audiomaxxx, was among those
    arrested during a raid yesterday at the organization, which for three years
    has allegedly manufactured pirated compact discs and hard core pornographic
    videos, and distributed them throughout Canada, the U.S., Europe and Jamaica.
    More recently, Audiomaxxx’s offerings have also included allegedly pirated
    digital downloads.

    In addition to the arrests, police seized an enormous volume of suspected
    counterfeit goods. This includes more than 200,000 music CDs and DVDs,
    numerous movie DVDs and hundreds of thousands of blank discs. Police also
    seized five CD/DVD burning towers, each with 12 burners, which together are
    capable of burning well in excess of 10,000 CDs and DVDs a day. The raid also
    netted several computers and hard drives, two commercial CD printers, four
    colour copiers and other office equipment.

    In the past 10 years, the raid closest in scale to the action against
    Audiomaxxx involved the seizure of about 10,000 counterfeit music CDs and DVDs
    – one-twentieth the volume netted yesterday.
    More than 10 police officers were involved in yesterday’s raid.
    "We sincerely thank the RCMP officers who have worked so hard to bring
    Audiomaxxx to heel, and to the federal prosecutors who have worked closely
    with them," said Graham Henderson, President of the Canadian Recording
    Industry Association. "Today’s arrests send out a clear message that
    commercial piracy will no longer be tolerated in Canada."

    Audiomaxxx is suspected of being one of Canada’s leading music
    counterfeiters. In Toronto alone, approximately 30 percent of the pirated CDs
    seized allegedly originate from the operation. CRIA estimates that, at
    minimum, Audiomaxxx has been shipping tens of thousands of allegedly pirated
    CDs each month.

    CRIA has received dozens of complaints concerning the operation from
    artists, music associations and music labels around the world, including
    numerous small, independent labels. In the past, when faced with demands by
    rights holders to cease its activities, Audiomaxxx has consistently ignored
    the demands or failed to fully comply.

    The operation appears to be highly developed, with a significant
    catalogue of allegedly pirated CDs and music downloads offered for sale via
    the website www.audiomaxxx.com, including copies of tracks by famous artists
    like Shania Twain, Lionel Richie, Jay-Z, Mary J. Blige and Nelly Furtado.

    "The RCMP has again demonstrated that it stands side by side with artists
    and rights holders in the fight against intellectual property crime," said
    Randy Lennox, President and CEO of Universal Music Canada Ltd. and Chairman of
    CRIA. "CRIA has a longstanding partnership with the RCMP and other police
    forces in fighting piracy, and today we have taken a big step together to stop
    one of the most flagrant examples of its kind in Canada."

    Audiomaxxx’s alleged piracy affects not just famous artists, but also new
    and independent artists – largely in the reggae, soca and hip-hop community –
    who are struggling to build careers. For example, Vancouver’s Utopia Records,
    one of the many independent labels to voice concerns, has seen new artist
    albums appear on the Audiomaxxx website on the day an album is released in
    stores or even before the legitimate launch date.

    "The harm done by music piracy is especially troubling when it undermines
    a promising artist’s burgeoning career," Henderson said. "We will continue to
    work with police and lawmakers to give these artists, and the organizations
    behind them, the opportunity to succeed."

    CRIA began investigating Audiomaxxx as part of an ongoing program to
    deter music counterfeiting and piracy. The operation came to CRIA’s attention
    because of the large volume of suspected counterfeit products openly offered
    for sale on the Internet and the owner’s failure to stop selling these
    products after the issuance of cease-and-desist orders.

    Since CRIA began dedicated anti-counterfeiting operations more than a
    year ago, the association and police have seized more than 400,000 CDs and
    issued 80 cease-and-desist orders against retailers of illicitly copied music.
    The Impact of Piracy and Counterfeiting on Canadian Artists and Rights
    Holders

    Piracy and counterfeiting exact a steep toll on artists and rights
    holders in Canada. This is reflected in significant music sales declines since
    the advent of widespread unauthorized file-swapping in 1999 and the
    proliferation of CD and music DVD counterfeiting in recent years. In that
    time, retail sales of pre-recorded audio products (CDs, digital tracks, etc.)
    declined by 47 percent, from $1.3 billion in 1999 to $703.7 million in 2006.

    For the 11 months ended November 2007, net wholesale shipments of CDs,
    music DVDs, and other "physical" recorded music formats dropped 16 percent to
    37.9 million units from 45.1 million units in the year-earlier period, while
    the related net wholesale value dropped 20 percent to $382.4 million from
    $476.3 million.

    A 2007 national POLLARA survey found that purchases of counterfeit goods
    such as music CDs displace legitimate commerce. About half of those who bought
    counterfeit music, movies or software would have purchased the genuine version
    had they not purchased a copy (for music, the figure was 43 percent; movies,
    45 percent; and software, 44 percent).

    About the Canadian Recording Industry Association
    The Canadian Recording Industry Association (CRIA) promotes the interests
    of Canadian record companies

     

  • Dancehall’s betrayal of reggae

    Reggae differed from mere pop music which was for entertainment and frivolity. Reggae was serious without being sombre. What has accounted for reggae having this phenomenal impact on the world is not just its pulsating beat and hypnotic rhythm, which it certainly has. There are other great rhythms which have not had reggae’s impact on the world.

    from the JA Gleaner
    published: Sunday | February 24, 2008 
    Ian Boyne, Contributor 
    

    Reggae Month cannot end without someone’s saying that the dominant trend in dancehall represents a betrayal of reggae; the tragic case of the child doing violence to his mother.

    Reggae differed from mere pop music which was for entertainment and frivolity. Reggae was serious without being sombre. What has accounted for reggae having this phenomenal impact on the world is not just its pulsating beat and hypnotic rhythm, which it certainly has. There are other great rhythms which have not had reggae’s impact on the world.

    Reggae is message music. The classic reggae artistes were acutely aware that there were not just minstrels. Their songs had us singing along and rocking, most definitely. But there was a message, which represented not just ‘brawta’; it was its life force. For it came from the bowels of the working class experience with oppression, injustice, dehumanisation and exclusion.

    Reggae artistes did not have to read philosophy to carry a strong philosophical message. Their life experience – harsh, brutal, but hopeful – gave them a natural mystic. Reggae could be claimed as a potent source of inspiration by Southern Africans struggling for liberation from apartheid, as well as for middle-class white people in America and Europe because reggae was a universal language understood by all.

    Oppression

    Reggae’s appeal is its innate humanism and universalism. For in decrying oppression, colonialism, imperialism and injustice, it was saying, forcefully, that these features are alien to our common heritage as human beings. This was not how humans were supposed to live. We were not supposed to be segregated by class, race, gender, religion and nationality.

    Bob Marley’s astounding appeal to the world cannot be separated from his message. He certainly did not have the finest voice in reggae. His rhythms were not unique. There was – there is – something about Bob Marley which just resonated and still resonates with mankind.

    It was not just Bob Marley. Another great artiste who has never received the just recognition he deserves in this country is the great Max Romeo. Max Romeo, Bob Andy, Burning Spear, Joseph Hill, Dennis Brown, the Mighty Diamonds, Half Pint, Peter Tosh and Bunny Wailer, among others, have a timeless appeal.

    What is the message of dancehall today in its most dominant trend? It’s about the "gal dem business", the objectification and commodification of women, the glorification of promiscuity. It is about power over women’s bodies. As Buju Banton has put it:

    "Hear weh me tell di girl seh if unnu look good
    Hear weh me tell har seh
    Gal me serious
    Mi haffi get yu tonight
    Even by gunpoint"

    Rape, in other words. But in the dancehall, women’s bodies are not their own. They are merely allowed to beautify them and take care of them for men to use. The dancehall trends have to do with lyrics glorifying dons; glorifying the shottas, bad man; worshipfully describing the various guns with relish and lyrical eloquence. The dancehall has to do with shaming youth and youth who can’t "tek it to dem".

    No encouragement

    So at a time when we need peace in the inner cities; when old people need to sleep peacefully rather than having to risk heart attacks and strokes at night; when children need to study their books so they can leave their lives of wretchedness rather than bawling out for "gunshots!", what we have are communities and corners set ablaze with no encouragement from the music – as the dominant trend – for "the youths dem to ‘low’ the glock," as Tarrus Riley pleads. The top deejays – the ones currently ruling the dancehall – the Mavados, the Bounty Killers, the Vybz Kartels, the Assassins, the Baby Chams, the Bling Dawgs – are not shouting to the youth "be careful of yu guns and ammunition".

    Instead, what we have in the dancehall is the glorification of the gun; the inciting of violence. And when we don’t have the vulgarity which is hailed as the expression of ‘female liberation’ and the gun talk, we have the promotion of bling bling and Western materialistic and hedonistic values – the values of Babylon.

    Now, imagine you are a poor ghetto youth struggling to find food to have just one meal a day; struggling to find clothes; struggling to eke out a subsistence under Babylon’s oppression to find food for your youth. The music being played all around you is telling you and your neighbours that you are nobody because you don’t have certain name-brand things. You have no value because you don’t have a certain type of car, can’t flash the dollars and can’t drink expensive European champagne. You are nothing if you have nothing. You are traced in the lyrics, especially the women.

    When the reggae pioneers were saying "Natty never get weary" and to "hold di struggle", these modern-day traitors of the revolution are telling you the opposite: Babylon is really right, uptown is right after all, join the rat race, life is about what you possess, how much money you have in the bank, what you wear, eat, the "stush area" you live in, etc. This is what the music has come to in its dominant form.

    ‘Ghetto authenticity’

    And this is what is not being critiqued by the academics at the University of the West Indies who are teaching reggae studies. They are so busy celebrating and bigging up ‘ghetto authenticity’ that they have failed to grasp how dancehall represents – in its dominant trends – the betrayal reggae.

    Now, dancehall defenders say they respect ghetto people. It is people like me who disrespect ghetto youth. Yet, I respect them enough to believe they can do better than just reflect the worst of what they see around them. I believe they have brains which they can use to go in a positive direction. The UWI academics apparently believe that they must mechanistically and deterministically follow their environment. They are Skinnerians (after the famed Harvard psychologist B.F. Skinner) with black masks.

    Another canard is that people who criticise negative dancehall just despise everything Jamaican and black and display Eurocentric tastes. As someone who is one of the most ardent vintage fanatics in Jamaica and who has attended more stage shows than many ‘worldians,’ this could not apply to me. I enjoy dancehall music. I totally disagree with those who believe there is no creativity in dancehall music and that it’s all monotony. People who say that have a limited exposure to dancehall. The dancehall lyricists – including the negative ones – are some of the most creative pop artistes in the world today.

    Negative dancehall

    What I am saying is that we should not uncritically support the music just because it is part of our culture and comes from the inner city. There are some things in the inner city which hold us back and which represent a kind of self-hatred and self-injury. Negative dancehall is in that category. Peace is a public good – it is not just ‘Christian fundamentalism,’ a term Carolyn Cooper (Professor, pardon me) uses as a conversation-stopper.

    Music which lionises shottas and badmen who are a terror to poor people is not good. Music which encourages violence for the slightest dissing; music which preaches a message of death to homosexuals or any group is not a good thing; music which encourages "gal inna bungle" is not a good thing because of its effects on our sisters and even on our brothers. Music which makes poor people feel small because they can’t bling out is not good. This has nothing to do with ‘middle-class values’.

    In fact, the UWI academics and my colleagues at TVJ don’t live in the inner cities. They can glorify dancehall music from their ivory towers and television studios but the poor, defenceless ghetto people who have nowhere to hide and no friend in high society have to contend with the gunshots and the mayhem – not created by dancehall but certainly not helped by it. Another blindsiding argument is that the violent lyrics in dancehall represent a kind of cry of the oppressed. Nonsense. The kind of revolutionary lyrics against oppression and ‘downpressors’ is not the dominant trend in dancehall. Peter Tosh was a rebel and was no pacifist, but Tosh was not talking about blowing out people’s marrow because "dem dis him woman". He did not trivialise violence. He took it seriously to be used selectively and strategically.

    None of the reggae practitioners did that. Even when Bob did some songs hailing the ‘rude boys’ of the 1960s – and was rebuked by fellow Trench Town giant (and my rocksteady idol) Alton Ellis in Dance Crasher and Cry Tough – Bob was not glorifying nihilistic violence. The comparisons by the UWI academics are grossly overdrawn.

    The UWI academics are guilty of overcompensation. They have seen the music snubbed and scorned in decades past by the middle class and they now feel psychologically and morally obligated to give ‘full hundred’ endorsement to our indigenous music. But in doing so, they have taken daredevil liberties with intellectual rigour and have done a disservice to reggae.

    Ian Boyne is a veteran journalist who may be reached at ianboyne@yahoo.com.

     

  • Virginia Reggae Awards Nominees

    Thank you for participating in the nominations process. You have
    chosen
    the following groups and Individuals as Virginia Reggae Award nominees.
    The next step in the process is to determine the winner in each
    category, by voting! We encourage you to vote as many times as
    possible. This is the only way to make sure that your favorite(s) get
    the Virginia Reggae Award! VOTE VOTE VOTE! Presentation of the Awards
    will be on Saturday 10th May 2008 @ MP Island Cafe in Va. Beach.
    visit
    http://virginiareggaeawards.com
    to see the Nominees and to Vote.

    Promoter’s Award

    Humble Ark , Lion Heart Promotions w/ Kid Walker, V.I.P. Promotions

    Producer’s Award

    Sleepy Wonder, Stable Roots Productions ,Tuff Lion

    Sound System Award

    Dutch B, Love People Sound, Precepts Sound

    Va. Reggae Ambassador Award

    Ever G , Lady Cham, Sleepy Wonder

    Favorite Song Award

    Conquering Sound by Ancient King & Prince Pankhi, Man Up by
    Black Culture, Walk Alone by Bukwi

    Favorite Album Award

    One More Brick For Babylon by Duburbia, Trodding Home by Ras
    Attitude, Utterance by Tuff Lion

    Favorite band Award

    Antero, Hands Off Band, Nature’s Child

    Media award

    Dancehall Connection w/Joe Swinger, Slam Video Magazine, West Indian
    Times

    New Artist Award

    Black Culture, Bukwi, Steve Martinez

    Favorite Artist Award

    Corey Harris ,Prince Pankhi, Ras Attitude

  • ‘Burnin’ smokes in US Library of Congress

    Burnin’, the 1973 Island Records album which was the swansong for the core Wailers unit of Bob Marley, Bunny Wailer and Peter Tosh, has been chosen for perpetual preservation in the United States Library of Congress.

    Burnin’, the 1973 Island Records album which was the swansong for the core Wailers unit of Bob Marley, Bunny Wailer and Peter Tosh, has been chosen for perpetual preservation in the United States Library of Congress.

    A release from Tuff Gong International Ltd. said "Each year the United States Library of Congress selects a small number of audio recordings to preserve for all time in the National Recording Registry, based on their historical, artistic or cultural importance … "

    In an interview with Ben Manilla, recorded at Tuff Gong Recording Studio for the National Public Radio programme ‘All Things Considered’ that will itself be preserved by the Library of Congress, Mrs. Rita Marley said that "The album Burnin’ was the work of prophets."

    Shared lead vocals

    Burnin’ begins with Get Up, Stand Up, Marley and Tosh sharing lead vocals, and ends with the arrangement by all three of the traditional Rastaman Chant. In between are lead vocal cuts from Bunny Wailer – Halleluijah Time, and Tosh – One Foundation, with Marley singing lead on all the other songs, which include I Shot The Sheriff, Burnin’ and Lootin’ and Small Axe.

    Burnin’ went to a high of number 151 on the Billboard Pop Albums charts and 41 on the Black Albums listing.

    The National Recording Registry was created by the National Recording Preservation Act in 2000 "to maintain and preserve sound recordings and collections of sound recordings that are culturally, historically, or aesthetically significant".

    Recordings nominated

    A recording has to be over 10 years old to be considered for inclusion and the public can nominate recordings for consideration.

    Among the songs already in the registry are Fats Domino’s Blueberry Hill, Nat ‘King’ Cole’s Straighten Up and Fly Right, One o’clock Jump by Count Bassie and his orchestra, What’s Going On by Marvin Gaye, and The Message by Grandmaster Flash and the Furious Five. Speeches include Martin Luher King Jr.’s ‘I Have a Dream’.

     

  • Virginia Reggae Awards

    Five (5) years ago VirginiaReggae.com was created with a mission to cover everything relating to reggae in Virginia. Meanwhile, keeping a window open to ensure that the root ideology of reggae maintains its rightful position in the fore front! This is evident in the sites motto, “No fruits without the roots!”

    Press release: VirginiaReggae.com presents the Virginia Reggae Awards

    Five (5) years ago VirginiaReggae.com was created with a mission to cover everything relating to reggae in Virginia. Meanwhile, keeping a window open to ensure that the "roots" of reggae maintain it’s rightful position in the fore front! This is evident in the sites motto, “No fruits without the roots!”

    The encompassed years have been wonderful, thanks to those of you who continue to render support. On Thursday 15th November 2007 Virginia Reggae launched another project: The Virginia Reggae Awards. The idea for the Virginia Reggae Awards was tossed around for the last couple of years and now with much excitement and hard work, officially launched! The criteria which dictate how the awards are to be presented are laid out at www.VirginiaReggaeAwards.com.

    While the process begins this November (2007), the award ceremony will not occur until 10th May 2008. If you are an artist a promoter, producer, sound system, media, writer, musician, singer or just someone with a passion for reggae scene in Virginia, then this awards show is about you! You can spread the word!

  • Herbert J. Gans. The Uses of Poverty: The Poor Pay All.

    First, the existence of poverty ensures that society’s “dirty work” will be done. Every society has such work: physically dirty or dangerous, temporary, dead-end and underpaid, undignified and menial jobs. Society can fill these jobs by paying higher wages than for “clean” work, or it can force people who have no other choice to do the dirty work – and at low wages.

    Social Policy July/August 1971: pp. 20-24.

    Some twenty years ago Robert K. Merton applied the notion of functional analysis to explain the continuing though maligned existence of the urban political machine: if it continued to exist,perhaps it fulfilled latent – unintended or unrecognized – positive functions. Clearly it did. Merton pointed out how the political machine provided central authority to get things done when a decentralized local government could not act, humanized the services of the impersonal bureaucracy for fearful citizens, offered concrete help (rather than abstract law or justice) to the poor, and otherwise performed services needed or demanded by many people but considered
    unconventional or even illegal by formal public agencies. Today, poverty is more maligned than the political machine ever was; yet it, too, is a persistent
    social phenomenon. Consequently, there may be some merit in applying functional analysis to poverty, in asking whether it also has positive functions that explain its persistence. Merton defined functions as "those observed consequences [of a phenomenon] which make for the adaptation or adjustment of a given [social] system."

    I shall use a slightly different definition; instead of identifying functions for an entire social system, I shall identify them for the interest groups, socio-economic classes, and other population aggregates with shared values that ‘inhabit’
    a social system. I suspect that in a modern heterogeneous society, few phenomena are functional or dysfunctional for the society as a whole, and that most result in benefits to some groups and costs to others. Nor are any phenomena indispensable; in most instances, one can suggest what Merton calls "functional alternatives" or equivalents for them, i.e., other social patterns or policies that achieve the same positive functions but avoid the dysfunctions. Associating poverty with positive functions seems at first glance to be unimaginable. Of course, the slumlord and the loan shark are commonly known to profit from the existence of poverty, but they are viewed as evil men, so their activities are classified among the dysfunctions of poverty. However, what is less often recognized, at least by the conventional wisdom, is that poverty also makes possible the existence or expansion of respectable professions and occupations, for example, penology, criminology, social work, and public health. More recently, the poor have provided jobs for professional and para-professional "poverty warriors," and for journalists and social scientists, this author included, who have supplied the information demanded by the revival of public interest in poverty. Clearly, then, poverty and the poor may well satisfy a number of positive functions for many nonpoor groups in American society. I shall describe thirteen such functions – economic, social and political – that seem to me most significant.

    The Functions of Poverty

    First, the existence of poverty ensures that society’s "dirty work" will be done. Every society has such work: physically dirty or dangerous, temporary, dead-end and underpaid, undignified and menial jobs. Society can fill these jobs by paying higher wages than for "clean" work, or it can force people who have no other choice to do the dirty work – and at low wages. In America, poverty functions to provide a low-wage labor pool that is willing – or rather, unable to be unwilling – to perform dirty work at low cost. Indeed, this function of the poor is so important that in some Southern states, welfare payments have been cut off during the summer months when the poor
    are needed to work in the fields. Moreover, much of the debate about the Negative Income Tax and the Family Assistance Plan [welfare programs] has concerned their impact on the work incentive, by which is actually meant the incentive of the poor to do the needed dirty work if the wages therefrom are no larger than the income grant. Many economic activities that involve dirty work depend on the poor for their existence: restaurants, hospitals, parts of the garment industry, and "truck farming," among others, could not persist in their present form without the poor.

    Second, because the poor are required to work at low wages, they subsidize a variety of economic activities that benefit the affluent. For example, domestics subsidize the upper middle and upper classes, making life easier for their employers and freeing affluent women for a variety of professional, cultural, civic and partying activities. Similarly, because the poor pay a higher proportion of their income in property and sales taxes, among others, they subsidize many state and local governmental services that benefit more affluent groups. In addition, the poor support innovation in medical practice as patients in teaching and research hospitals and as guinea pigs in medical experiments.

    Third, poverty creates jobs for a number of occupations and professions that serve or "service" the poor, or protect the rest of society from them. As already noted, penology would be minuscule without the poor, as would the police. Other activities and groups that flourish because of the existence of poverty are the numbers game, the sale of heroin and cheap wines and liquors, Pentecostal ministers, faith healers, prostitutes, pawn shops, and the peacetime army, which recruits its enlisted men mainly from among the poor.

    Fourth, the poor buy goods others do not want and thus prolong the economic usefulness of such goods – day-old bread, fruit and vegetables that otherwise would have to be thrown out, secondhand clothes, and deteriorating automobiles and buildings. They also provide incomes for doctors, lawyers, teachers, and others who are too old, poorly trained or incompetent to attract more affluent clients. In addition to economic functions, the poor perform a number of social functions:

    Fifth, the poor can be identified and punished as alleged or real deviants in order to uphold the legitimacy of conventional norms. To justify the desirability of hard work, thrift, honesty, and monogamy, for example, the defenders of these norms must be able to find people who can be accused of being lazy, spendthrift, dishonest, and promiscuous. Although there is some evidence that the poor are about as moral and law-abiding as anyone else, they are more likely than middleclass transgressors to be caught and punished when they participate in deviant acts. Moreover, they lack the political and cultural power to correct the stereotypes that other people hold of them and thus continue to be thought of as lazy, spendthrift, etc., by those who need living proof that moral deviance does not pay.

    Sixth, and conversely, the poor offer vicarious participation to the rest of the population in the uninhibited sexual, alcoholic, and narcotic behavior in which they are alleged to participate and which, being freed from the constraints of affluence, they are often thought to enjoy more than the middle classes. Thus many people, some social scientists included, believe that the poor not only are more given to uninhibited behavior (which may be true, although it is often motivated by despair more than by lack of inhibition) but derive more pleasure from it than affluent people (which
    research by Lee Rainwater, Walter Miller and others shows to be patently untrue). However, whether the poor actually have more sex and enjoy it more is irrelevant; so long as middle-class people believe this to be true, they can participate in it vicariously when instances are reported in factual or fictional form.

    Seventh, the poor also serve a direct cultural function when culture created by or for them is adopted by the more affluent. The rich often collect artifacts from extinct folk cultures of poor people; and almost all Americans listen to the blues, Negro spirituals, and country music, which originated among the Southern poor. Recently they have enjoyed the rock styles that were born, like the Beatles, in the slums, and in the last year, poetry written by ghetto children has become popular in literary circles. The poor also serve as culture heroes, particularly, of course, to the Left;
    but the hobo, the cowboy, the hipster, and the mythical prostitute with a heart of gold have performed this function for a variety of groups.

    Eighth, poverty helps to guarantee the status of those who are not poor. In every hierarchicalsociety, someone has to be at the bottom; but in American society, in which social mobility is an important goal for many and people need to know where they stand, the poor function as a reliable and relatively permanent measuring rod for status comparisons. This is particularly tru e for the working class, whose politics is influenced by the need to maintain status distinctions between themselves and the poor, much as the aristocracy must find ways of distinguishing itself from the
    nouveaux riches.

    Ninth, the poor also aid the upward mobility of groups just above them in the class hierarchy. Thus a goodly number of Americans have entered the middle class through the profits earned from the provision of goods and services in the slums, including illegal or nonrespectable ones that upperclass and upper-middle-class businessmen shun because of their low prestige. As a result, members of almost every immigrant group have financed their upward mobility by providing slum housing, entertainment, gambling, narcotics, etc., to later arrivals – most recently to Blacks and Puerto Ricans.

    Tenth, the poor help to keep the aristocracy busy, thus justifying its continued existence. "Society" uses the poor as clients of settlement houses and beneficiaries of charity affairs; indeed, the aristocracy must have the poor to demonstrate its superiority over other elites who devote themselves to earning money.

    Eleventh, the poor, being powerless, can be made to absorb the costs of change and growth in American society. During the nineteenth century, they did the backbreaking work that built the cities; today, they are pushed out of their neighborhoods to make room for "progress. Urban renewal projects to hold middle-class taxpayers in the city and expressways to enable suburbanites to commute downtown have typically been located in poor neighborhoods, since no other group will allow itself to be displaced. For the same reason, universities, hospitals, and civic centers also expand into land occupied by the poor. The major costs of the industrialization of agriculture have been borne by the poor, who are pushed off the land without recompense; and they have paid a large share of the human cost of the growth of American power overseas, for they have provided many of the foot soldiers for Vietnam and other wars.

    Twelfth, the poor facilitate and stabilize the American political process. Because they vote and participate in politics less than other groups, the political system is often free to ignore them. Moreover, since they can rarely support Republicans, they often provide the Democrats with a captive constituency that has no other place to go. As a result, the Democrats can count on their votes, and be more responsive to voters – for example, the white working class – who might otherwise switch to the Republicans.
    Thirteenth, the role of the poor in upholding conventional norms (see the fifth point, above) also has a significant political function. An economy based on the ideology of laissez faire requires a deprived population that is allegedly unwilling to work or that can be considered inferior because it must accept charity or welfare in order to survive. Not only does the alleged moral deviancy of the poor reduce the moral pressure on the present political economy to eliminate poverty but socialist
    alternatives can be made to look quite unattractive if those who will benefit most from them can be described as lazy, spendthrift, dishonest and promiscuous.

    The Alternatives

    I have described thirteen of the more important functions poverty and the poor satisfy in American society, enough to support the functionalist thesis that poverty, like any other social phenomenon, survives in part because it is useful to society or some of its parts. This analysis is not intended to suggest that because it is often functional, poverty should exist, or that it must exist. For one thing, poverty has many more dysfunctions that functions; for another, it is possible to suggest functional
    alternatives. For example, society’s dirty work could be done without poverty, either by automation or by paying "dirty workers" decent wages. Nor is it necessary for the poor to subsidize the many activities they support through their low-wage jobs. This would, however, drive up the costs of these activities, which would result in higher prices to their customers and clients. Similarly, many of the professionals who flourish because of the poor could be given other roles.

    Social workers could provide counseling to the affluent, as they prefer to do anyway; and the police could devote themselves to traffic and organized crime. Other roles would have to be found for badly trained or incompetent professionals now relegated to serving the poor, and someone else would have to pay their salaries. Fewer penologists would be employable, however. And Pentecostal religion probably
    could not survive without the poor – nor would parts of the second- and third-hand goods market. And in many cities, "used" housing that no one else wants would then have to be torn down at public expense. Alternatives for the cultural functions of the poor could be found more easily and cheaply. Indeed, entertainers, hippies, and adolescents are already serving as the deviants needed to uphold traditional morality and as devotees of orgies to "staff" the fantasies of vicarious participation. The status functions of the poor are another matter. In a hierarchical society, some people must be defined as inferior to everyone else with respect to a variety of attributes, but they need not be poor in the absolute sense. One could conceive of a society in which the "lower class," though last in the pecking order, received 75 percent of the median income, rather than 15-40 percent, as is now the case. Needless to say, this would require considerable income redistribution.

    The contribution the poor make to the upward mobility of the groups that provide them with goods and services could also be maintained without the poor’s having such low incomes. However, it is true that if the poor were more affluent, they would have access to enough capital to take over the provider role, thus competing with and perhaps rejecting the "outsiders." (Indeed, owing in part to antipoverty programs, this is already happening in a number of ghettos, where white storeowners are being replaced by Blacks.) Similarly, if the poor were more affluent, they would make less
    willing clients for upper-class philanthropy, although some would still use settlement houses to achieve upward mobility, as they do now. Thus "Society" could continue to run its philanthropic activities. The political functions of the poor would be more difficult to replace. With increased affluence the poor would probably obtain more political power and be more active politically. With higher incomes and more political power, the poor would be likely to resist paying the costs of growth and change. Of course, it is possible to imagine urban renewal and highway projects that properly
    reimbursed the displaced people, but such projects would then become considerably more expensive, and many might never be built. This, in turn, would reduce the comfort and convenience of those who now benefit from urban renewal and expressways. Finally, hippies could serve also as more deviants to justify the existing political economy – as they already do.

    Presumably, however, if poverty were eliminated, there would be fewer attacks on that economy. In sum, then, many of the functions served by the poor could be replaced if poverty were eliminated, but almost always at higher costs to others, particularly more affluent others. Consequently, a functional analysis must conclude that poverty persists not only because it fulfills a number of positive functions but also because many of the functional alternatives to poverty would be quite dysfunctional for the affluent members of society. A functional analysis thus ultimately arrives at much the same conclusion as radical sociology, except that radical thinkers treat as manifest what I describe as latent: that social phenomena that are functional for affluent or powerful groups and dysfunctional for poor or powerless ones persist; that when the elimination of such phenomena through functional alternatives would generate dysfunctions for the affluent or powerful, they will continue to persist; and that phenomena like poverty can be eliminated only when they become dysfunctional for the affluent or powerful, or when the powerless can obtainenough power to change society.

     

  • Zimbabwe: Reggae Fever Grips Harare

    “I am in Zimbabwe on a mission I have come to spread the message, the ministry of Jah, coming to Zimbabwe is like coming home, this is more like Jamaica, the people, the smiles and everything,” said Luciano in typical reggae fashion.

    Stanley Kwenda
    Harare

    JAMAICAN
    reggae icon Luciano touched down at Harare International Airport on
    Tuesday afternoon, dispelling doubts which had been surrounding his
    hugely ancticipated tour, first reported by The Weekend Gazette.

    "People
    thought it was an April fool’s hoax, but there was no-one who wanted to
    fool anyone," said a Zimbabwe Tourism Authority official.

    Clad in green military fatigues with several
    ‘decorations’, his most trusted lieutenant Mickey General in tow, the
    reggae "Messenger" as he prefers to call himself, coolly negotiated his
    way through Immigration. At first he looked bemused by the huge army of
    journalists who instantly mobbed him looking first for a photo
    opportunity before even asking questions. Being the international icon
    that he is, he gladly gave everyone an opportunity before taking a few
    questions from journalists.

    "I am in Zimbabwe
    on a mission I have come to spread the message, the ministry of Jah,
    coming to Zimbabwe is like coming home, this is more like Jamaica, the
    people, the smiles and everything," said Luciano in typical reggae
    fashion.

    Luciano’s trip to Zimbabwe has over
    the past weeks been shrouded in controversy with different signals
    being given by the ZTA, which finally brought him into the country. At
    one time the Authority indicated that it had pulled out of the deal to
    bring the Jamaican artist only to make hasty invitations to the media
    to cover his arrival. Harare International Airport came to a standstill
    as the "Messenger" made his way into the building. The entire airport,
    particularly the main arrival lobby was a sea of red, black, white,
    yellow and red as fans braced for the arrival of the reggae master.

    "Is he still coming or we have been lied to?" asked a fan who had brought his entire family to the airport to welcome Luciano.

    This was after the South African Airways flight from Johannesburg had arrived with no sign of the Jamaican artist.

    There
    were various versions of how to extend greetings reggae style on
    display. And at once I felt the spirit getting the better of me.
    Emotions ran high, with journalists running up and down seeking to get
    the scoop, while airport security men were torn between having a photo
    taken with Luciano and responding to the call of duty.

    The
    reggae icon was given royal treatment with businessman Phillip
    Chiyangwa chipping in with courtesy transport, which took Luciano from
    the airport to a Harare hotel. Chiyangwa’s sons drove the artiste in a
    yellow Hummer with personalised number plates.

    Some
    motorists rushing to the airport were left bemused by the long convoy
    of cars and simply opted to give way fearing the unknown. Many probably
    thought it was the President coming from the airport.

    Thereafter,
    a press conference was held and excitement was still high. A group of
    tourists had to give way to the "Messenger." A red carpet was rolled
    out in his honour.

    "Luciano is coming as a
    visitor, friend and artist. He is a messenger who has a message to the
    people of Zimbabwe. He is here for the annual Jacaranda festival which
    celebrates sustainable development through tourism," said a top ZTA
    official.

    "We had given our friends in the
    commercial sector the right to bring Luciano but they failed dismally
    and as government we had to intervene. We have brought the great son of
    the soil."

    The tour of the Jamaican artist
    however had its fair share of controversy. It took two hours for the
    artist to be cleared through immigration and at the same time Nhamo
    Chitimbe of Shumba Instrumentation who claimed to have secured the deal
    alleged that he had been sidelined.

    He said,
    "ZTA should do what they want but I am not a politician, I don’t have
    political power but I didn’t do this for individuals but for the people
    of Zimbabwe. I know Luciano personally as a friend and I don’t know him
    as a businessperson. He came without his band because he wants this
    mess sorted out first," said Chitimbe before he was interrupted by a
    phone call from Caveman in Jamaica. Caveman is a close associate of
    Luciano.

    Luciano said he was in Zimbabwe to give the people strength to prevail through the hardships.

    "We
    have always wanted to come to Zimbabwe especially after Bob Marley sang
    about Zimbabwe. We are messengers we are here to give the people
    strength. We are coming to Zimbabwe at a crucial time because you need
    inspiration," said Luciano.

    He is the fourth
    high profile reggae artist to visit Zimbabwe after Bob Marley, Peter
    Tosh and Freddie McGregor who visited in the 1980’s.

  • Mikey Dread diagnosed with a Brain Tumor

    Mikey Dread diagnosed with a Brain Tumor

    This is an Official News Release from the “Dread At The Controls, Inc.”

    mikey dread

    This is an Official News Release from the "Dread At The Controls,
    Inc."

    For months now, many of you have made inquiries about Mikey Dread.
    Mikey believes that it is important that his fans/friends/ and
    supporters know about his current health condition and the treatment
    he is currently undergoing, and what has happened to him since July,
    2007.

    There is certainly good news coming out of the DATC camp. The good
    news is that Monika’s and Mikey’s son was born healthy and strong on
    October 12, 2007 and he will run "Dread at the Controls "in the
    future.

    The bad news is that Mikey Dread has been diagnosed with a Brain
    Tumor. He is in the care of the best Doctors at Duke University in
    North Carolina and is undergoing chemotherapy. Mikey is working
    towards recovery and does not give up his faith in God. God is
    watching out for him.

    Mikey Dread’s fans can contact him through email:
    mi…@mikeydread.com
    www.myspace.com/datc
    www.myspace.com/mikeydread
    www.myspace.com/lifeisastagecd
    www.mikeydread.com

    According to Mikey Dread, "Dread at the Controls reggae music and dubs
    music continues to Break down the Walls, internationally."

    This is an official News Release from "Dread At The Controls, Inc."

    My respect and love still stand to you.
    Respects.
    Mikey

  • Lucky Dube murdered

    Lucky Dube murdered

    The murder last week of South African reggae singer Lucky Dube has saddened and shocked many Jamaicans who had come to know and appreciate his music and its message of peace and goodwil

    lucky dube The murder last week of South African reggae singer Lucky Dube has saddened and shocked many Jamaicans who had come to know and appreciate his music and its message of peace and goodwill.
    Indeed, it is ironic that someone who sought, through his art, to promote the ideal of a world without violent conflict was cut down in such a brutal and callous manner.
    Lucky Dube, news reports tell us, was shot dead by carjackers last Thursday night in front of his son and daughter, aged 15 and 16 respectively, when he dropped them off at their uncle’s home in Rosettenville, a suburb in southern Johannesburg.
    News of his murder has triggered outrage in the entertainment industry, and particularly in countries where Mr Dube performed, including Jamaica.

    This week’s Sunday Observer reported the expressions of a number of people in the local music industry, most of whom spoke highly of the quality of his music and the fact that he drew inspiration from our very own Peter Tosh, who himself was murdered by gunmen at his home in Barbican, St Andrew in September 1987.

    At that time, people the world over expressed shock and outrage at Peter Tosh’s murder, which stained Jamaica’s image and highlighted our nagging problem of crime. Much the same has now happened to South Africa, as the international media have focused their attention on what some have termed the "ever-worsening" crime situation gripping that African nation.
    Indeed, President Thabo Mbeki’s Government has come under fresh attacks from critics who accuse the administration of failing to fulfil its promise to bring crime under control. Even the Congress of South African Trade Unions (Cosatu), a traditionally strong ally of the ruling African National Congress (ANC), is reported to have said that it was appalled and outraged at Lucky Dube’s murder and called on the Government for solutions to crime.

    It’s no easy task, as South Africa, with its population of 47.9 million people, has just under 20,000 murders per year, according to statistics from the South African Police Service. That’s just over 50 murders a day – a frightening prospect for any investor and enough to make business owners and law-abiding South Africans concerned.
    That scenario is one to which we in Jamaica can relate, as we struggle with our own very high crime rate and the disincentive that it presents to potential investors.
    But societies that wish to improve their standard of living cannot yield to the few mindless barbarians who are intent on sowing mayhem at will.

    For giving in to thugs would open the floodgates for lawlessness and the ultimate breakdown of society.
    We are not here suggesting that President Mbeki should become a despot like his neighbour, President Robert Mugabe in Zimbabwe, and start cracking skulls.
    Mr Mbeki, even as he confronts his own problem of an approval rating slump, needs to help shape the kind of South Africa that will be safe for its people and their guests; the kind of South Africa that will produce more citizens of the ilk of Mr Lucky Dube who, though born poor, did not end up living a life of crime.
    The same can easily be said of the Jamaican Government who, while still fresh in office, needs to move quickly to address the grave social and economic problems we face in this country.